Step 01
Before You Begin
The Lab Manager is Judy Kreiger (jlkreiger@bsu.edu).
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Have the Room Monitor Assist You
Have the Laser Room Monitor assist you the first few times you use the laser cutters and any time you have questions.
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Note the Bed Sizes
The lab has laser cutters with two different bed sizes:
1 x (18 inches x 24 inches) and
3 x (18 inches x 32 inches). Make note of this when planning your cut sheets. Each machine is labeled with its model number and bed size, which is also the name you will look for under Destination when you print.
Figure 1: The lab has laser cutters with two different bed sizes.
Warning: Mistakes can damage equipment.
Step 02
Set Your Units to Inches
Make sure your units are INCHES in Rhino. Use the command “Units” to verify. The template and the machine beds are both dimensioned in inches, so a file set to millimeters will come out at the wrong size.
Figure 2: Document Properties → Units, with Model units set to Inches.
Step 03
Layer Colors & Line Weights
Make sure your LAYER COLORS and LINE WEIGHTS are correct. The laser cutter reads the layer color to decide which cut setting to apply, and the print width to decide whether the layer cuts at all.
Figure 3: The Layers panel, showing (1) Layers, (2) Color and Print Color, (3) Print Width.
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Set the Layer Colors
Layer colors need to be a specific RGB for the laser cutter to read them.
Figure 4: Select Layer Print Color.
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Set the Print Width
Double-click on the
“Print Width” column. The layer must be set to
“Hairline” for vector cuts or scores.
“No Print” allows you to leave useful layers on, such as “Machine Bed”, without them cutting.
Figure 5: Double-click on the “Print Width” column to set Hairline or No Print.
Required Layer RGB Values
| Layer | Red | Green | Blue |
| Black | 0 | 0 | 0 |
| Red | 255 | 0 | 0 |
| Green | 0 | 255 | 0 |
| Yellow | 255 | 255 | 0 |
| Blue | 0 | 0 | 255 |
| Magenta | 255 | 0 | 255 |
| Cyan | 0 | 255 | 255 |
| Orange | 255 | 102 | 0 |
Step 04
Print Setup & Destination
In the laser cutting lab: make sure the station computer is connected to the laser cutter and both are on. Load your file onto this computer.
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Open the Print Setup Window
“Print” will open the Print Setup window.
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Set the Destination
Make sure
“Destination” is set to the laser cutter. Typically it is named
“PLS” + a number.
Figure 6: Make sure “Destination” is set to the laser cutter.
Step 05
Setting Your Scale
Make sure your SCALE is set correctly. In “View and Output Scale” use “Window > Set” to set your scale from the TOP view. The window you draw here is the area the laser maps onto its bed, so it has to match the machine you are cutting on.
Figure 7: View and Output Scale → Top view → Window > Set
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Set the Print Window to the Machine Bed
Using the
“End Point Osnap” set the gray rectangle to either the
18 x 24 or the
18 x 32 Machine Bed. Depending on which laser cutter you are on, the gray rectangle will have different proportions. Hit
“ENTER” when done.
Figure 8: Set the gray rectangle to the Machine Bed using the End Point Osnap.
Step 06
Laser Properties
Make sure your LASER PROPERTIES are set correctly.
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Click Properties
“Properties” will open the standard laser window where you set:
POWER,
SPEED, and
PPI.
Figure 9: The Properties button in the Print Setup window.
Figure 10: Properties opens the standard laser window.
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Set the Values for Each Color
The laser window lists the same colors as your layers. Select the color you want to configure (1), set its
Power,
Speed and
PPI (2), and set the
Mode (3).
Vect is the typical setting for vector cuts and scores,
Rast is used for raster etching, and
Skip tells the laser to ignore that color entirely. Click the big
Set button to save your changes (4). Any color you are not cutting should be set to
Skip.
Figure 11: Select the color, set POWER, SPEED, PPI and Mode, then click Set.
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Get the Settings From the Index Cards
Index cards located at each machine will give you guidelines for that machine and the operation you want to perform.
POWER,
SPEED, and
PPI.
Figure 12: Index cards are located at each machine.
Figure 13: A card giving guidelines for that machine and operation.
Step 07
Output Type & Sending the File
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Check the Output Type
“Output Type” can affect whether the laser cutter will recognize geometry and/or whether it will distort a raster image. It is typically set to
“vector.”
Figure 14: Output Type is typically set to Vector Output.
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Send the File
Select “Print” to send the file to the laser cutter.
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Confirm It Arrived
After a few seconds, you should see your filename on the screen on the control panel of the laser cutter in a format like
“301 OF 301 MY CLASS PROJECT.” If you do not, ask a staff member for help.
Figure 15: The filename appears on the control panel screen of the laser cutter.
Step 08
At the Laser Cutter
Load your material, open the Control Panel, and focus the machine before you run the file. Please ensure any ventilation systems that your system supports are on such as an exhaust fan or hood vent.
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Load Your Material
Open the lid of the laser fully, making sure it does not drop when you let go of it, and place your material in the bed of the laser, making sure:
That it lines up with the steel rulers on the top and left sides of the bed,
That the height of your material will not interfere with the nose cone of the laser,
That it does not hump up in the middle of the sheet or curl up sharply on the edges.
Warning: All of these situations will cause the nose cone to catch on your material and ruin your work.
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Open the Control Panel
Click the
Universal Laser Systems Control Panel icon in the lower right corner of the screen to open the Control Panel. The Control Panel displays a virtual view of the laser cutter bed and allows for calibration and cut control.
Figure 16: The Control Panel icon is in the lower right corner of the screen.
Figure 17: The Control Panel shows a virtual view of the bed and your file.
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Move the Focus Carriage
Click the
Focus icon on the right hand side of the screen, then click on a location over your material. The laser focus carriage will move toward the location you clicked.
Figure 18: The Focus icon on the right hand side of the screen. Click a location over your material and the carriage moves to it.
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Find the Focus Tool
Find the black and white plastic focus tool on the right-hand shelf inside the laser cutter.
Figure 19: The focus tool lives on the right-hand shelf inside the laser cutter.
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Set the Focus Tool Against the Carriage
Place the focus tool on top of the material, near the laser focus carriage. Raise or lower the bed using the
UP and
DOWN buttons on the machine so that the notch at the top of the white part of the tool rests against the side of the focus carriage.
Figure 20: Raise and lower the bed with the UP and DOWN buttons on the machine.
Figure 21: The notch at the top of the white part of the tool rests against the focus carriage.
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Fine Tune the Focus
Slowly raise the bed until the beveled edge on the focus tool touches the bottom edge of the focus carriage and you see the top of the focus tool start to tilt away from the focus carriage. Move the bed back down slightly until the tool sits perfectly flush with the carriage.
Pro Tip: Press the Select (checkmark) button on the machine to change move increment per press of the UP and DOWN buttons.
Figure 22: The machine display shows FOCUS and the current Z height.
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Run the File
Close the lid of the laser cutter and press the green
Play button when ready.
Figure 23: Press the green Play button when ready.
Step 09
Pausing & Tips
You can stop mid-cut to check your work, and a handful of habits will save you material and time. Just make sure that the cutter has stopped and you are also not directly looking into the machine without glasses until it returns back to its homing location.
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Pausing Mid-Cut
If you need to examine your work or clear loose debris or dust from your sheet while the file is cutting, press the
Pause button on the machine firmly or use the
Pause button in the Laser Control Panel on the computer. It will sometimes take a second or two, but the laser will stop cutting and park in the top right corner. You may now raise the lid of the laser and inspect your work. Take care not to shift the sheet of material you are cutting, or the rest of the file will be misaligned. When ready to finish cutting, close the lid and press the
Play button, and the laser will pick up precisely where it left off.
Figure 24: The Pause button in the Laser Control Panel on the computer.
Cut Order
Work Inside-to-the-Outside
Work inside-to-the-outside when planning your cut order. First: All rastering. Second: Vector scoring. Third: Vector interior cuts. Fourth: Vector outside cuts (always cut the part out last).
Misc
Good Habits
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Have a Monitor Assist You
Have a monitor assist you with focusing the machine and placing your material until you’ve developed competence.
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Leave the Paper on Acrylic
Leave the paper on the bottom side of acrylic to protect it from smoke and scratches.
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Always Do Test Cuts
Always do test cuts on scrap areas of your material to verify settings.
Tips
Quick Reference
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Nothing Happens When You Send the File
If you send a file and nothing happens or nothing shows up on the Control Panel screen, check your color mode, check your stroke weight, and check your line colors. This fixes most of students general problems.
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Score With Vectors
Don’t forget that you can score with vectors as well as through-cut. This is usually much faster than scoring with rasters.
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Organize by Cut Order
Recall that the lasers will always cut all your rasters first, and then all your vectors. Recall also that if you have, say, several vector cuts, the laser will cut them in order of color from black to yellow, just like in your layer color list. Use this to organize your drawing so that you cut your scores first and your through-cuts last. This will help keep you from losing small pieces and snagging your sheet on the nose cone.
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Leave Yourself Enough Time
Remember to leave yourself enough time to cut your file. Bear in mind that the more complex your design, the lower your speed settings are, or the more rastered artwork you have, the longer you will need to cut your file. It is best to try and bring a file in ahead of time with the proper settings, and load them onto the computer you are using.
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Split Very Large Files
If you have a huge file that you know will take a long time to run, such as a sheet with hundreds or thousands of parts, you can divide it into several areas with a margin in between each, and output them as separate files. Doing this will allow you to pull your sheet off the laser while only partially complete and come back to finish your work later without having to throw your material away and start over.
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Tabs & Bridges for Tiny Pieces
If you have very tiny pieces you worry might blow away or fall through the honeycomb, you can put “tabs” or “bridges” on them: tiny gaps in the outlines of your pieces that leave them connected to your skeleton. In Rhino, trim or split short gaps into the perimeter of each shape in one or two spots. The laser will “see” a gap in your vector. As an added benefit, this allows you to quickly pick up your whole sheet and trim pieces off as you need them at your desk. This works very well for paper and cardstock, which is the biggest offender, but is slightly trickier when cutting acrylic.
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Make a Test Cut
If unsure about your settings, or still becoming comfortable with the laser cutter, make a small test cut either on a part of your sheet you will not need, or on a separate piece of scrap of the same material you’re using for your finished file. Its typically safer to not waste material, "measure twice cut once".