Laser 03 · Illustrator Setup

Illustrator
Laser Setup

Adobe Illustrator · LASER RGB Swatch

This SOP covers setting up your Adobe Illustrator file for the laser cutters, assigning cut settings by color, sending the file to the machine, and focusing and running the cut.

01Material & Power 02New Document 03Opening a File 04Rulers & Swatches 05Prep Your Drawing 06Cut Settings 07At the Cutter 08Pausing & Tips
Before You Start

Ensure your material is 18” x 32” or smaller for stations A, B, and C; 18” x 24” or smaller for station D.

Source SOP

Updated to match Illustrator Laser Cutting in CAP Laser Lab (PDF). Page references correspond to that document.

Step 01

Material & Power On

Size your material, log in to the station computer, and turn on the machine and compressed air.

Step 02

Starting a New Document

To start a new document on a Laser Lab computer, open Illustrator and create a document with the following settings:

Current Illustrator New Document dialog with arrows pointing to inches, 32 by 18 inch dimensions, RGB Color, and Create
Figure 1: Current New Document dialog from PDF p. 1. Use 24” width for station D.

Step 03

Opening a Previously Created File

If you are opening a previously created file, confirm the color mode, units, and artboard size before you go any further.

Step 04

Rulers, Panels & Swatches

Set your origin, open the panels you will need, and load the swatch library that drives the cut settings.

Step 05

Preparing Your Drawing

Line weight, color, and placement on the artboard are what tell the laser what to do.

Cut Order

Rasters First, Then Vectors

The PDF describes color order as black through orange and recommends assigning raster engraving to black so it is completed first. Use blue for vector scores and red for vector through-cuts. Complete engraving and scoring before through-cuts so loose pieces do not shift.

Step 06

Cut Settings & Printing

Cut settings live in the print driver. Pull the numbers off the sample cut card for your material and enter them color by color.

Step 07

At the Laser Cutter

Load your material, open the Control Panel, and focus the machine before you run the file. Please ensure any ventilation systems that your system supports are on such as an exhaust fan or hood vent.

Step 08

Pausing & Tips

Supplemental guidance: This section retains additional advice from the original web SOP; it is not included in the PDF.

You can stop mid-cut to check your work, and a handful of habits will save you material and time. Just make sure that the cutter has stopped and you are also not directly looking into the machine without glasses until it returns back to its homing location.

Tips

Quick Reference

  • Nothing Happens When You Send the File
    If you send a file and nothing happens or nothing shows up on the Control Panel screen, check your color mode, check your stroke weight, and check your line colors. This fixes 90% of the problems.
  • Score With Vectors
    Don’t forget that you can score with vectors as well as through-cut. This is usually much faster than scoring with rasters.
  • Organize by Cut Order
    Follow the PDF’s black-through-orange color order and its recommended assignments: black for raster engraving, blue for vector scores, and red for vector through-cuts. Plan engraving and scoring before through-cuts to avoid working on loose pieces.
  • Leave Yourself Enough Time
    Plan to complete your process over the course of a couple or several days, rather than in one. Bear in mind that the more complex your design, the lower your speed settings are, or the more rastered artwork you have, the longer you will need to cut your file. Laser Lab appointments are limited to 1 hour per day. If no one is scheduled after you, the lab attendant will let you stay until you are done. When the lab is busy, we can not guarantee you will be permitted to stay beyond 1 hour.
  • Split Very Large Files
    If you have a huge file that you know will take a long time to run, such as a sheet with hundreds or thousands of parts, you can divide it into several areas with a margin in between each, and output them as separate files. Doing this will allow you to pull your sheet off the laser while only partially complete and come back to finish your work later without having to throw your material away and start over.
  • Tabs & Bridges for Tiny Pieces
    If you have very tiny pieces please use “tabs” or “bridges” on them: tiny gaps in the outlines of your pieces that leave them connected to your skeleton. The easiest way to do this in Illustrator is to simply make very small rectangles or circles with white fills and no stroke and position them over the perimeters of each shape in one or two spots. The laser will “see” a gap in your vector. As an added benefit, this allows you to quickly pick up your whole sheet and trim pieces off as you need them at your desk. This works very well for paper and cardstock, which is the biggest offender, but is slightly trickier when cutting acrylic.
  • Make a Test Cut
    If unsure about your settings, or still becoming comfortable with the laser cutter, make a small test cut either on a part of your sheet you will not need, or on a separate piece of scrap of the same material you’re using for your finished file. Its typically safer to not waste material, "measure twice cut once".